JKR creates data-driven identity for Centersquare
The branding for the US data centre hopes to buck category conventions with a bright colour palette and adaptable data-based patterns
The Monthly Interview: Rebecca Allen
As Tate Modern opens a new show on the advent of digital art, one of its early pioneers discusses the reasons it’s been overlooked historically and why she’s not interested in the new era of AI art
Apple’s Christmas ad showcases its hearing loss features
The brand’s moving festive campaign, Heartstrings, spotlights its new assistive technology
Bringing Charli XCX’s Brat to life on stage
We speak to lighting and production designer Jonny Kingsbury about the collaborative creative team behind Charli XCX’s hotly anticipated Brat tour, plus why more live shows need to go beyond spectacle for spectacle’s sake
A look at the challenges facing creative education
Creative computing artist and educator Jazmin Morris discusses why she decided to leave full-time academia and how educational institutions can better prepare the next generation of talent
Tomoro Kinoshita on creating microworlds
Self-taught digital artist Tomoro Kinoshita draws on the science of entomology to create his 3D art. As part of our New Talent showcase for 2024, he discusses his unique approach to worldbuilding and how he’s broadening his practice through VR
Meet our Annual Awards judges for 2025
As our next entry deadline for the Annual Awards approaches, we’d like to introduce you to the stellar panel of industry figures who will be scrutinising your work this year
Why Common People is investing in AI creativity
We speak to Ramy Dance and Melody Sylvester at production company Common People about their new roster of AI talent and how it relates to the challenges facing production companies
Sad Night Dynamite on their controversial album campaign
The duo’s debut album campaign has rubbed the internet up the wrong way, partly for its use of AI. We talk to bandmate Josh Greacen and collaborator AI Sam about what it’s been like at the eye of the storm
Mozilla reintroduces itself with a new identity
The community-led software organisation hopes to cement itself as a reliable and accessible voice in tech
The final deadline for Creative Review’s Annual Awards 2025 is December 6
One of the most respected and trusted awards for the advertising and design industries is back for 2025. Run, don’t walk to get your entries in before the final deadline on Friday
Art organisation Backslash gets an appropriately slanted identity
The backslash symbol serves as muse for the organisation’s interactive branding by New York-based studio Cotton
How Center design studio is shaping startups
Formerly a design director at Coca-Cola, Alex Center’s Brooklyn studio now brings branding magic to startups and small businesses
Laphroaig x Willem Dafoe is a peaty partnership worth savouring
The Islay single malt has enlisted the Hollywood star for its latest campaign, celebrating the whisky’s unmistakable, enigmatic taste
Why brands need culture
In her new book, Leila Fataar explains how the most powerful engagements between brands and audiences happen through culture, requiring different approaches to marketing and comms
Brompton unfolds bold new identity for its 50th anniversary
The British cycling brand has partnered with Studio Blackburn to celebrate its heritage as it enters a new, globally minded era