Exposure: Suleika Mueller
The London-based photographer talks to Gem Fletcher about her process and her belief in “changing the world through love rather than aggression”
Stories about how creative work gets made
The London-based photographer talks to Gem Fletcher about her process and her belief in “changing the world through love rather than aggression”
Balancing book and magazine design, alongside illustration projects and working at Christie’s auction house, Arsh Raziuddin’s work requires adapting to multiple needs across a range of media
As Nadav Kander’s new exhibition opens in London, the renowned photographer talks to Gem Fletcher about his process, collaborations and the meaning of art
The director duo have carved a distinct visual language, collaborating with some of the biggest brands and fashion houses in the world
Based “between New York and the internet”, photographer Ramona Jingru Wang’s work is inspired by a life spent online. She talks to Gem Fletcher about her process
An advocate of ‘generative play’ and visual exploration, designer Natalia Witwicka is employing experimental work in client projects to great effect
We speak to graphic designer Ada Karayel on how the Milan-based creative agency built the branding behind Nextones and Terraforma Exo
The New York-based illustrator is often called upon to visualise complicated themes and concepts, from technology and medicine to human rights and social issues
In his photography, Abdul Kircher captures a complex vision of multiple truths, and addresses the difficulties and dangers that can lie in families, as well as the joys
We speak to the prolific music video director about mental health, addiction and his debut feature film, Snorkeling
Collage is an alchemical and subversive process, perfectly suited to our fragmented times. And as artists like Vanessa Saba are showing, online it has reinvented itself yet again
Based between Chengdu and Berlin, Han has worked on commissions for an array of lifestyle brands and publications since focusing on her illustration practice full-time
Kareem Abdul honed his craft in east London – here, as part of her series on exciting photographers, he talks to Gem Fletcher about the influence of street style, dance and birdwatching on his work
We speak to Simz’s long-time collaborator Jeremy Ngatho Cole at creative studio Yout about making the visuals for her new record, and his experiences of working with such an ambitious artist who sits outside the major label system
Sign painting may no longer be a recognised profession in France, but designers such as Lucas Teyssier are championing its return, one storefront at a time
Working across photography and film, Perryman explores the complexity of identity and the Trans experience, making work that is “a gesture of love and care for their community”
Gem Fletcher profiles the photography of Dani Leal, whose work explores the changing politics of the USA via personal, thought-provoking projects that contain a nostalgic edge
Peperami’s much-loved Animal mascot has been given a makeover for the contemporary age, keeping his swagger while losing the laddy 90s elements of his character. David Craft of Fearless Union explains how it was done
Gem Fletcher talks to the identical twins and photographic partners, who have carved a successful path through both commercial photography and the art world with their distinctive works
As Radiohead’s sophomore album turns 30, artist Stanley Donwood reflects on the artwork that paved the way for an enduring creative design partnership
The Barcelona-born illustrator shares his love of the underground comic genre, which oozes into his risograph prints and publications
The Berlin-based artist behind Severance’s award-winning title sequences reveals the unique blend of physiotherapy, Bauhaus philosophies and storytelling that informs his 3D visuals
For the latest in our new talent in photography series, Gem Fletcher talks to fashion and documentary photographer Camila Gattamelati about the ideas behind her work
The New Yorker’s longtime art editor Françoise Mouly discusses the unique challenge of summing up a century of the iconic magazine in one issue and the year-long creative process behind its “cover extravaganza”